Wednesday, May 10, 2017

LAST DAY & LEARNING ANALYSIS. "Learning is sweet."

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Notice the Process Review is part 4 of the Learning Analysis.
If your format is creative, be sure it includes written materials that you can read out loud to share in class, and that it is clear how it is analytical.

What does a learning analysis do?

=It offers a flexible framework for reflecting on the class.
=It pushes you to put things together that otherwise you might not have seen connections among.
=It creates a sense of class closure, while opening up ways of thinking into your future.
=It is an opportunity to be proud of how you have put the learning of the course together for yourself.
=It helps you make sense of it all, in terms of your own values and concerns.
=What else have you found in the experience?

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THINGS WE WILL GO OVER TODAY IN CLASS! AND PARTY A BIT TOO! 

1) Some freewriting -- reflection after the brain dump!

a) =Why was this a final senior seminar in women's studies?

b) Pick two for one freewrite:

=What values do you bring to feminisms?
=What values do you add after this class?
=How does this course help you realize those values?

2) Exercises with the work in front of you now:

=> put an arrow next to your best statement of the argument of the course.
* put a star next to the part of the paper you like the best.

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...the silly, the wise, the imaginative, and acts of creativity come together....



MAKE SOME NOTES ABOUT: 

1) What was fun?

2) What was new?

3) What offered a sense of accomplishment?

4) What was useful?

5) When did it come together for you?

6) Why does it matter?

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We will go around and share our reflections, insights, realizations, comments, hopes. 

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Today I, Katie, am celebrating you all! this was an amazingly fun class BECAUSE YOU ALL GAVE TO MUCH TO IT. I sincerely thank you for that and ALSO for the wonderful little gifts you made for me last week! 

This is the final course I will have taught in my 30 years in this department.

What a wonderful way to go out!

You give me joy! I hope that now YOU will find much joy! in times to come and in reflections on your experiences!

::a very big hug!:: 




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Thursday, April 27, 2017

Thursday 27 April: spill: Chen

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SIGN UP FOR WMST UNDERGRADUATE RESEARCH DAY TODAY! 

Women's Studies/LGBT Studies Undergraduate Research Day
We Invite You to Present Your Work!

WMST/LGBT Undergraduate Research Day - May 3

Deadline to Sign Up to Present - April 27

The Department of Women's Studies invites undergraduate students-individually, as a group, or as a class-to join us on Wednesday, May 3, and tell us about your work.  Posters, Oral Presentations, Films, Art Projects, Displays, and Performances of undergraduate student scholarly work are all welcome.  Presentations on internships and study abroad experiences are also welcome.

Students should submit:
  • A title for your project/presentation
  • A short (2-3 sentence) statement about your project
  • The format in which you will present
  • Any equipment needs
  • All the times you can be available on Wednesday, December 3 
Also, please indicate:
  • The class for which you completed the work (if it is a class project)
  • Name of your instructor
  • Name(s) of presenters
  • Email address(es) of presenters
  • Telephone number

Submit to: Professor Elsa Barkley Brown - barkleyb@umd.edu - by 5:00 p.m. on Thursday, April 27.  If you have any questions, please contact Professor Barkley Brown.


===

  • Just sent out on Email to all: 


Hello folks! bring your kits to class today! We are going to spend the first part of class doing a paper prototype in poster format of the influences Mel Chen's book Animacies had on you and others during the course.

Think arts and crafts and drawing and collage and making!! Katie

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READINGS FOR EXPERIENCE SET 4: finish up all 3 books left 
• Svedmark. 2016. Becoming Together and Apart. Linköping.
• Chen. 2012. Animacies. Duke.
• Marcus. 2015. Self Care for Activists. Mocana.

TODAY>>>Thursday 27 April: spill: Chen
Thursday 4 May: activisms: Marcus <KK out of town>
Thursday 11 May: <LAST DAY!> DUE LEARNING ANALYSIS & PROGRESS REVIEW

>>BEFORE BREAK:

1) Attendance Portraits. Will be returned to you ....

2) PROTOTYPE -- Animacies influences on your over time of course; poster style collage and mixed media

>>AFTER BREAK:

3) Share & discussion

4) revisit: diegetic prototyping

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Thursday, April 20, 2017

Thursday 20 April: apart: Svedmark

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WHERE ARE WE IN THE COURSE RIGHT NOW? 
THE FIRST OF FOUR SECTIONS IN EXPERIENCE SET 4!  >>>REFLECTION MAKES IT ALL STICK



NOTICE THAT EXPERIENCE SET 4 CULMINATES IN THE FINAL CLASS SHARING OF LEARNING ANALYSES AND PROCESS REVIEWS, 11 MAY. 

READINGS FOR EXPERIENCE SET 4: finish up all 3 books left 
• Svedmark. 2016. Becoming Together and Apart. Linköping.
• Chen. 2012. Animacies. Duke.
• Marcus. 2015. Self Care for Activists. Mocana.

>>TODAY: Thursday 20 April: apart: Svedmark
Thursday 27 April: spill: Chen
Thursday 4 May: activisms: Marcus <KK out of town>
Thursday 11 May: <LAST DAY!> DUE LEARNING ANALYSIS & PROGRESS REVIEW

===
TODAY'S CLASS:
Thursday 20 April: apart: Svedmark

>>BEFORE BREAK:

1) Attendance Portraits. These will be returned to you soon....

2) Your learning analysis and process review 

  • read each section of description out loud
  • 2 min freewrite on each as we read them together 

===



===

3) critical alternatives, Svedmark, pp. 185-192:

the boundary objects of: 

=reconfiguring the future
=ethics
=power
=politics
=hope

"Things can always be different." 







===
>>AFTER BREAK:

4) read epilogue to yourself, treating yourself and others tenderly: pp. 193-4.

5) DISCUSSION & TAB: diegetic prototyping 

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Thursday, April 13, 2017

TODAY'S CLASS: • Project, poster, pics & LB3: 1/4 grade >> 13 April

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ALWAYS ARRIVE EARLY FOR CLASS ON LOGBOOK DAYS! 15 or 20 mins early please!

===
Timeline for today's events in
Workshop 2: • Making and Non-Human Emergences

COLLABORATE WITH EMERGENT PROCESSES! FLASH YOUR ACTIONS!

5pm-5:20pm: Set up stations
5:20pm-5:25pm: Overview of events, answer any questions
5:25pm-5:45pm: Quiet whole-group observations
5:45pm-6:10pm: Group 1 spotlight
6:10pm-6:35pm: Group A spotlight
6:35pm-6:45pm: Break
6:45pm-7:30pm: Debrief/Feedback

Group 1 would be odds and Group A would be evens. This allows 20 minutes for silent walking around, and 25 minutes for each half of the class to talk to their peers in depth.



===
As soon as you arrive:

• 5 pm - 5:20 => 20 mins :: SET UP
=pick up Attendance card and pens (we will fill out at the end of the break)
=get your Workshop LABEL and fill it out
=find a good spot around the table and create a little project station
=station should have set out: Label, Project, Poster

EVERYTHING MUST BE SET UP BY 5:20 OR WE BEGIN WITHOUT YOU!




• 5:20 - 5:45 => 20 mins :: SILENT WALK AROUND
=walk around the stations SILENTLY and take notes on each project materials.
=note people's names, project titles, poster process visuals
=what are your reactions, interests, thoughts, ideas, questions? note them for later.

• 5:45 - 6:10 => 25 MINS :: TWEET TOGETHER 1: HALF OFFER, HALF QUESTION
=in brief, twitter-length interactions (no monologues) half the class asks those at their stations about how things are going, what the project is about now, and what sort of feedback folks want. Keep statements short, be open and kindly, consider how you can help! take notes too!
=USE ALL THE TIME! RETURN TO PROJECTS IF THERE IS TIME!




• 6:10 - 6:35 => 25 MINS :: TWEET TOGETHER 2: HALF OFFER, HALF QUESTION
DO IT ALL AGAIN, SWITCHING WHO DOES WHAT:
=in brief, twitter-length interactions (no monologues) half the class asks those at their stations about how things are going, what the project is about now, and what sort of feedback folks want. Keep statements short, be open and kindly, consider how you can help! take notes too!
=USE ALL THE TIME! RETURN TO PROJECTS IF THERE IS TIME!

• 6:35 - 6:45 => 10 MINS :: BREAK
• 6:45 - 6:50 => ATTENDANCE PORTRAITS



6:50 - 7:30 => 40 MINS :: DEBRIEF & FEEDBACK
WITH ATTENTION TO YOUR NOTES OFFER COMMENTS ON:
=what you really appreciated as patterns among the group as a whole
=what you really appreciated in individual projects
=what you really appreciated in ways posters visualized process
=what you and others shared as helpful observations already
=what on consideration you now can offer as additional helpful comments.
=what you found useful for yourself, your work and projects in this process.

===
NEXT WEEK WE BEGIN THE END WITH EXPERIENCE SET 4!!

READINGS FOR EXPERIENCE SET 4: finish up all 3 books left 
• Svedmark. 2016. Becoming Together and Apart. Linköping.
• Chen. 2012. Animacies. Duke.
• Marcus. 2015. Self Care for Activists. Mocana.



Thursday 20 April: apart: Svedmark
Thursday 27 April: spill: Chen
Thursday 4 May: activisms: Marcus
Thursday 11 May: <LAST DAY!> DUE LEARNING ANALYSIS & PROGRESS REVIEW


===

Thursday, April 6, 2017

Thursday 6 April: self-care: Marcus

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WHERE ARE WE IN THE COURSE RIGHT NOW? 
STILL IN EXPERIENCE SET 3!  >>>MAKING AND NON HUMAN EMERGENCES 

NOTICE THAT NEXT WEEK 13 APRIL IS ANOTHER WORKSHOP, LIKE THE ONE WE DID LAST TIME! your project will be due as well as a poster describing the process.

READINGS FOR EXPERIENCE SET 3: 2/3 of each book, chaps in any order you like
• Svedmark. 2016. Becoming Together and Apart. Linköping.
• Chen. 2012. Animacies. Duke.
• Marcus. 2015. Self Care for Activists. Mocana.

Thursday 6 April: self-care: Marcus
Thursday 13 April <WORKSHOP 2> NON-HUMAN: DUE PROJECT & POSTER

===

===
TODAY'S CLASS:
Thursday 6 April: self-care: Marcus

>>BEFORE BREAK:

1) Attendance Portraits: Eva will take charge of these now.

2) Self-care and its boundary object affects

Filing out form first self, then partners, section by section, shared with class.

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===

===

===
>>AFTER BREAK:

Boundary objects, con't with handouts.

===

===
NEXT WEEK:
NOTICE THAT 13 APRIL IS ANOTHER WORKSHOP, LIKE THE ONE WE DID LAST TIME! your project will be due as well as a poster describing the process.

===


Thursday, March 30, 2017

Thursday 30 March: techno-emotions: Svedmark

===
WHERE ARE WE IN THE COURSE RIGHT NOW? IN EXPERIENCE SET 3! 
>>>MAKING AND NON HUMAN EMERGENCES

What does this title for this section mean? you have read bits of both Chen and Svedmark now. How does their work make this title clearer? 

READINGS FOR EXPERIENCE SET 3: 2/3 of each book, chaps in any order you like
• Svedmark. 2016. Becoming Together and Apart. Linköping.
• Chen. 2012. Animacies. Duke.
• Marcus. 2015. Self Care for Activists. Mocana.

Thursday 30 March: techno-emotions: Svedmark
Thursday 6 April: self-care: Marcus
Thursday 13 April <WORKSHOP 2> NON-HUMAN: DUE PROJECT & POSTER

===
TODAY'S CLASS

WELCOME BACK FROM Spring Break! 

for today you should have read 2/3 of Svedmark's Becoming Together and Apart, choosing parts to read in any order that you like. Be able to say why you chose what you did to read now.

NEXT WEEK:
notice that you should have read 2/3 of Marcus

NOTICE THAT 13 APRIL IS ANOTHER WORKSHOP, LIKE THE ONE WE DID LAST TIME!
your project will be due as well as a poster describing the process.
• also notice that WMST will be having an undergraduate research day and your project and poster may be appropriate to share then if you like! Date TBA: last couple of weeks of the term.
• also notice that if you want to show off a poster on Growing Social Justice you need to submit your proposals here. https://umdsurvey.umd.edu/jfe/form/SV_diN3tyHRwtj9ulL     Submissions are welcome until April 3 by 5 p.m. Submissions will be reviewed the week of April 3. Notification that your proposal has been accepted will be ongoing but no later than April 8. Logistical details (where and when to go on April 18) will be forwarded by April 8.

===
Thursday 30 March: techno-emotions: Svedmark

>>BEFORE BREAK:

1) Attendance Portraits: Eva will take charge of these now.

2) Co-creating phenomena ....



Co-creating Others: READ pp. 131-135:

=Speculators: "They feed us with speculative and alternative versions of the truth.... Flashback...." Fake? is it real? is that the most important thing?

=Helpers: "These "helpers' seem to be attracted to places where emotional content is shared freely, with few filters...." You may need to "join" to know about.

=Lurkers: "...they can be spotted every now and then when things get rough and situations demand action." Difficult to study....

=Other others: 1) those with honest intents. 2) Trolls: "to provoke, to upset and to do harm...." How does one tell which ones are which?

3) How does this material and its examples and suggestions help you extend your understanding of "others" and "othering" and "otherwise"?

4) DISCUSSION: What is "co-creating"? How does it relate to "becoming-with"? How does all this come into "Becoming Together and Apart"?

===
>>AFTER BREAK:

TechnoEmotions: READ pp. 161-181:

"Although this thesis is empirically dense my mission has never been to look at -- but through -- these sometimes extreme cases in search for posthuman relations and practices apart from our first encounter."

=(dis)Trust
=(fiction)Truth
=(dis)Embodiment
=(eternal)Time

===

Thursday, March 16, 2017

Making and Non-Human Emergences: we begin Experience Set 3

===
Bring your kit to class today! 

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OVERVIEW 

Making and Non-Human Emergences 

READINGS FOR EXPERIENCE SET 3: 2/3 of each book in any order you like
• Svedmark. 2016. Becoming Together and Apart. Linköping.
• Chen. 2012. Animacies. Duke.
• Marcus. 2015. Self Care for Activists. Mocana.

Thursday 16 March: affect: Chen
Thursday 23 March spring break: read some of all
Thursday 30 March: techno-emotions: Svedmark
Thursday 6 April: self-care: Marcus
Thursday 13 April <WORKSHOP 2> NON-HUMAN: DUE PROJECT & POSTER

===
TODAY'S CLASS
for today you should have read 2/3 of Chen's Animacies, choosing parts to read in any order that you like. Be able to say why you chose what you did to read now.

NEXT WEEK is Spring Break! 
get onto reading some of each of the books, Chen, Svedmark, Marcus with an eye to getting through 2/3 of each on the days we will investigate them.

FOLLOWING WEEK AFTER BREAK
notice that you should have read 2/3 of Svedmark

NOTICE THAT 13 APRIL IS ANOTHER WORKSHOP, LIKE THE ONE WE JUST DID!
your project will be due as well as a poster describing the process.
• also notice that WMST will be having an undergraduate research day and your project and poster may be appropriate to share then if you like! Date TBA: last couple of weeks of the term.
• also notice that if you want to show off a poster on Growing Social Justice you need to send in a proposal by 27 March. (I haven't seen the link for proposals yet, but there are guidelines for poster size and so on in the email I sent you.)

===
Thursday 16 March: affect: Chen





>>BEFORE BREAK:

1) Attendance Portraits: Eva will take charge of these now.
2) WATCH VIDEO 
3) WHILE MAKING SOMETHING WITH YOUR KIT THAT OPENS YOU UP TO WHAT YOU ARE HEARING AND WHAT YOU HAVE READ FOR TODAY

===



===
4) DISCUSSION: Who is Gutierrez?

Will Gutierrez Q&A with Professor Mel Chen
Contemporary Drama Working Group
Published on Dec 30, 2014: https://www.youtube.com/watch?v=wEExyXuGcOU
"After our September 17, 2014 reading of "Beautiful Monsters: A Hermaphrodite Love Story," playwright Will Gutierrez sat down with Prof. Mel Chen for an inspiring conversation about art-making, politics and life."

https://berkeleycdwg.com/2014/09/12/beautiful-monsters-on-917/  

"Will Gutierrez is a writer in Oakland. His work draws upon both intimate autobiography and epic strangeness to honor the lives of hermaphrodites, of intersex people, Filipinos, tomboys and witches, queers, young folks, elders, family. His play Beautiful Monsters explores the theme of first love. Years in the writing, he began telling its story as an undergraduate in Cherríe Moraga’s drama classes." http://tdps.berkeley.edu/events/new-play-reading-series-beautiful-monsters-a-hermaphrodite-love-story/

5) How did this interview help you understand what Chen means by affect in the book?

===
AFFECT, read pp. 11-12: starting here: 




===
>>AFTER BREAK: 

"learning to be affected," p. 206 from: 
Latour. 2004. "How to Talk About the Body?" Body & Society 10(2-3): 205–229. DOI: 10.1177/1357034X04042943 PDF at: http://bruno-latour.fr/sites/default/files/77-BODY-NORMATIVE-BS-GB.pdf



===
inanimate affections (having learned to be affected and adding body parts and worldly affects): p. 278: from
Chen. 2011. "Toxic Animacies, inanimate affections." GLQ 17(2–3): 265-286. DOI 10.1215/10642684-1163400 PDF at: http://985queer.queergeektheory.org/wp-content/uploads/2013/04/Chen-Toxic-Animacies.pdf


===
ENVIRONMENTAL JUSTICE WORK, Chen, p. 11: 



===
TOXINS, Chen, p. 11: 



===
QUEERED AND RACED ANIMACIES, Chen, p. 12:



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Thursday, March 9, 2017

TODAY'S CLASS: • Status Paper & Handout & LB2: 1/4 grade >> 9 MARCH

===
ALWAYS ARRIVE EARLY FOR CLASS ON LOGBOOK DAYS! 15 or 20 mins early please!

===
Timeline for today's events in 
Workshop 1: • Protest Now! Action, Activist Research & Scholarship, How to do it  

COLLABORATE WITH EMERGENT PROCESSES! FLASH YOUR ACTIONS! 




As soon as you arrive:

• 5 pm - 5:20 => 20 mins :: SET UP 
=pick up Attendance card and pens (we will fill out at the end of the break)
=get your Workshop LABEL and fill it out
=find a good spot around the table and create a little project station
=station should have set out: Label, Handout, Paper and enough copies of Handout to give each person one

EVERYTHING MUST BE SET UP BY 5:20 OR WE BEGIN WITHOUT YOU! 

• 5:20 - 5:40 => 20 mins :: SILENT WALK AROUND 
=walk around the stations SILENTLY and take notes on each project materials.
=note people's names, project titles, status report, take a handout
=what are your reactions, interests, thoughts, ideas, questions? note them for later.

• 5:40 - 6:10 => 30 MINS :: TWEET TOGETHER 1: HALF OFFER, HALF QUESTION 
=in brief, twitter-length interactions (no monologues) half the class asks those at their stations about how things are going, what the project is about now, and what sort of feedback folks want. Keep statements short, be open and kindly, consider how you can help! take notes too!
=USE ALL THE TIME! RETURN TO PROJECTS IF THERE IS TIME!

• 6:10 - 6:40 => 30 MINS :: TWEET TOGETHER 2: HALF OFFER, HALF QUESTION 
DO IT ALL AGAIN, SWITCHING WHO DOES WHAT:
=in brief, twitter-length interactions (no monologues) half the class asks those at their stations about how things are going, what the project is about now, and what sort of feedback folks want. Keep statements short, be open and kindly, consider how you can help! take notes too!
=USE ALL THE TIME! RETURN TO PROJECTS IF THERE IS TIME!

• 6:40 - 6:55 => 15 MINS :: BREAK
• 6:55 - 7 => ATTENDANCE PORTRAITS

• 7 - 7:30 => 30 MINS :: DEBRIEF 
WITH ATTENTION TO YOUR NOTES OFFER COMMENTS ON: 
=what you really appreciated as patterns among the group as a whole
=what you really appreciated in individual project processes
=what you and others shared as helpful observations already
=what on consideration you now can offer as additional helpful comments.
=what you found useful for yourself, your work and projects in this process.

===



[image source reflect & debrief: http://youthengagementalliance.org/the-scary-world-of-the-debrief/  ]

===
NEXT WEEK WE BEGIN EXPERIENCE SET 3!! 

READINGS FOR EXPERIENCE SET 3: 2/3 of each book in any order you like
• Svedmark. 2016. Becoming Together and Apart. Linköping.
• Chen. 2012. Animacies. Duke.
• Marcus. 2015. Self Care for Activists. Mocana.

Thursday 16 March: affect: Chen
Thursday 23 March spring break: read some of all
Thursday 30 March: techno-emotions: Svedmark
Thursday 6 April: self-care: Marcus
Thursday 13 April <WORKSHOP 2> NON-HUMAN: DUE PROJECT & POSTER 

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Thursday, March 2, 2017

Protest Now! collaborate with Emergent Ecologies

===
=Where are we in the structure of the class? 
• last week was the end of experience set 1: Humans questioning everything, including Human; All the rest that exists too
• today begins set 2: Protest Now! Action, Activist Research & Scholarship, How to do it 
• NOTICE! WORKSHOP 1! 9 MARCH! PAPER & HANDOUT DUE! 

YOU AND CLASS BUDDY SHOULD BE MEETING REGULARLY OUTSIDE CLASS. 


===
PLAYING AS YOU COME INTO CLASS: 



===

Kirksey & The ABCs of Multispecies Studies VIDEO:
https://www.youtube.com/watch?v=PYbCpNflAyU
Streamed live on Sep 22, 2014

"Alphabets have been used to make sense of disparate fragments of discourses by philosophers such as Gilles Deleuze and Roland Barthes. They capture emergent concepts that are not fully formed, but that start to take on order within alphabetic logics.

"In codifying the ABCs of Multispecies Studies we are reaching out to our swarm of creative collaborators--poachers who are prepared to trespass within the lexicon of others, as well as authors who have coined their own concepts.

"Alphabets typically involve a search for roots, which is perhaps why encyclopedias arose as a genre alongside disciplines that produced origin myths. In the domains of high art and in early enterprises of colonial anthropology, intellectuals gave prestige to originals and origins. In their recent refusals to conform to diachronic standards of validity, however, both artists and anthropologists have turned away from genealogical projects and practices that require an established pedigree.

"The Multispecies Salon is creating a kind of alphabet that reaches to the biological as well as etymological–containing both roots and rhizomes. Authors of the Multispecies ABCs will move beyond the domain of ethnography, to bring in key morphemes from geography, ecology, archaeology, history, queer theory, and allied intellectual traditions. Letters will represent more than one word. A is for Animal as well for Anthropos; B is for Becoming and for Buzz; C is for Care and Charisma.  Rather than privilege our favorite literal organisms, we will only accept critter keywords if they have serious figural potential, like P for Parasite."

Websitehttp://www.multispecies-salon.org/events/


===
EXPERIENCE SET 2: 
Protest Now! Scholar-Arts-Activist Projects
• MAJOR READING: Kirksey. 2015. Emergent Ecologies. Duke.

Thursday 2 March: hope 
• READ 2/3 Kirsey in any order you like
• ALWAYS LOOK FOR TRANSMEDIA! ALWAYS BRING IN TO SHARE! 


>>BEFORE BREAK: 

1) Attendance Portraits: Eva will take charge of these now.

2) SHARED READING: first & last chap paragraphs around the room

A BICYCLE TOUR AROUND EMERGENT ECOLOGIES. 



[image source: https://byronbayadventuretours.com.au/wp-content/uploads/2015/12/Mountain_Biking_Byron_Bay_1.jpg ]

3) PICK: random page & page you read for today
4) TEAM: teach both pages to the class

>>AFTER BREAK: 

1) What form should your papers take next time?

possibilities to reshape for our purposes:

• business model: "three components to reporting project status:
=Overall: We need to see the overall project health. As managers, we want to be able to detect a project in trouble. We also want to help make that determination sometimes. You might not know everything we know despite our best efforts to communicate. Your project might not be as healthy as you think it is.
=Milestones: Your project has major accomplishments which must be completed by specific dates. We managers want to see which milestones are complete, which ones are in progress, and which ones are coming up next. This allows us to analyse the schedule and decide to either feel comfortable with it or challenge it.
=Issues: Your project also probably has one or more obstacles to completion which have been discovered. We'd like to see brief details about each issue so that we can make a decision about whether or not to step in and help if necessary."
>https://www.projectsmart.co.uk/how-to-report-status-on-a-project.php

• College Project Report 
"The goal of writing a professonal report is, simply, to describe what is happening or what has happened.  To do so, you should break the project activity into several parts or body sections: three to five is common, but more sometimes may be needed.  The parts or body sections vary, depending on your workplace and project: for example, your report may be broken down by steps, times, physical locations, individual coordinators of different parts of it, types of activities, results, or by whatever other divisions are required, useful, and comprehensive.  Each section should be detailed and, in many work situations, a good report uses lists, charts, illustrations, or other graphic methods to better communicate simply, clearly, and obviously. "
>http://www.tc.umn.edu/~jewel001/CollegeWriting/WRITEWORK/WORKPLACE/BusReport/default.htm

• From Kickstarter's blog: ideas for Project Updates: 
"It's pretty much a given that a successful Kickstarter campaign includes a great project description, outreach plan and a solid community of backers. Of equal importance are the updates that creators send their backers. Project updates don’t just appear on each project page, they’re also delivered directly to backers’ inboxes, and can be a powerful tool for engaging backers and motivating them to share a project. Think of project updates as a window into a project’s development, featuring images, video and the ongoing story of the project. (Tip: We also consider a project’s updates when choosing whether or not to feature it or make it a Project We Love.) There’s no magic to the right number or frequency of updates; we recommend posting consistently and often, and to start brainstorming and even drafting updates before you launch. Fun fact: Creators on Kickstarter send about 6,000 updates a week. Here’s a list of fifty ideas for inspiration!"
> https://www.kickstarter.com/blog/50-updates-to-keep-up-with-your-backers

• progress reports for scholarly research projects: 
"The report should be presented largely as a substantiated argument rather than as a straight description:
=Personal information such as name, registration and contact information
=How the research question(s), problems(s), etc with which the research is concerned, have been developed or refined...
=How the research methodology is being developed and why it is appropriate.
=How appropriate data is being collected which is convincing for its purpose.
=How the literature is being used.
=How any constraints are being handled.
=How subjectivity, where relevant, is being handled.
=Progress to date.
=Problems or potential problems to be flagged up.
=General reflections. These should be relevant, not just padding, and the nature of what is required is likely to vary considerably from one discipline to another.
=A plan for the next phase of the work."
>http://www.postgradresources.info/student-resources04-reports.htm     


2) Why a handout? what roles do visuals play? 



[image source: http://www.equalitiestoolkit.com/sites/default/files/Forum_analysis_recommends.jpg
]

3) How will workshop be structured?
4) Class buddies, collaboration

NEXT CLASS:
Thursday 9 March: multispecies 
• READ: finish up Kirsey &
• DUE: <WORKSHOP 1>: ACTION! Status paper & handout & logbook2 & attendance;
hand all in end of class in hard copy and also send to kk gmail electronically

===

Thursday, February 23, 2017

TODAY'S CLASS: • Project Prototype & LB1: 1/4 grade >> 22 February

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===
What medium will your final project be in as you imagine so far? 
What DIFFERENT medium did you choose for this first prototyping activity? 
What is diegetic prototyping? Design fiction? 
How do we analyze these? How do we practice these and why?  

• THIS CLASS AND ONE MORE, THEN WORKSHOP 1! 9 MARCH! PAPER & POSTER DUE! 
=YOU AND CLASS BUDDY SHOULD BE MEETING REGULARLY OUTSIDE CLASS. 

===
Thursday 22 February, Prototypings
• DUE PROJECT PROTOTYPE & LOGBOOK 1   

>>BEFORE BREAK: 
1) Attendance Portraits: Eva will take charge of these now.
2) Show and tell what you brought today: around the circle:
=What medium will your final project be in as you imagine so far?
=What DIFFERENT medium did you choose for this first prototyping activity?
=What did you learn from this activity so far?
3) Eva introduces Feedback handout and discusses what is at stake.
=How can we use this for general discussion about our prototypes so far?
4) DISCUSSION AND FEEDBACK TIME 

>>AFTER BREAK: 
1) Intro to diegetic prototyping and the TAB for it. 
=Kirby, near future lab & Bleecker and Sterling, SF & social justice warriors, Octavia's Brood web

=Design Fiction: diegetic prototypes online here: https://www.wired.com/2011/02/design-fiction-diegetic-prototypes/
=See a pdf of Kirby's original article here: Kirby2010 Prototypes 

=Where are we in the structure of the class? 
• end of experience set 1: Humans questioning everything, including Human; All the rest that exists too
• next time begin set 2: Protest Now! Action, Activist Research & Scholarship, How to do it 
• THIS CLASS AND ONE MORE, THEN WORKSHOP 1! 9 MARCH! PAPER & HANDOUT DUE! 

YOU AND CLASS BUDDY SHOULD BE MEETING REGULARLY OUTSIDE CLASS. 

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WMST488_FeedbackGuide by Eva Peskin on Scribd  



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>>>>>SETS LAID OUT 

Experience Set 1: Humans questioning everything, including Human; All the rest that exists too
Thursday 22 February, DUE PROJECT PROTOTYPE & LOGBOOK 1: Th 22 Feb, attendance required 

Experience Set 2: Protest Now! Action, Activist Research & Scholarship, How to do it  
WORKSHOP 1: Th 9 Mar: Status paper & handout & workshop attendance & LB2  

Experience Set 3: Making and Non-Human Emergences 
WORKSHOP 2: Th 13 Apr: Project & poster & pics & workshop attendance & LB3 

Experience Set 4: Reflection Makes It All Stick: New Knowledges in the World/s
LEARNING ANALYSIS & PROCESS REVIEW: Th 11 May: & attendance last day & FINAL LB4 


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MAJOR READING FOR EXPERIENCE SET 2:
• Kirksey. 2015. Emergent Ecologies. Duke.

Thursday 2 March: hope: 2/3 book in any order you like
Thursday 9 March: multispecies: finish the book up & <WORKSHOP 1>: ACTION! Status paper & handout and attendance

READINGS FOR EXPERIENCE SET 3: 2/3 of each book in any order you like
• Svedmark. 2016. Becoming Together and Apart. Linköping.
• Chen. 2012. Animacies. Duke.
• Marcus. 2015. Self Care for Activists. Mocana.

Thursday 16 March: affectChen
Thursday 23 March spring break: read some of all
Thursday 30 March: techno-emotions: Svedmark
Thursday 6 April: self-care: Marcus
Thursday 13 April <WORKSHOP 2> NON-HUMAN: DUE PROJECT & POSTER

READINGS FOR EXPERIENCE SET 4: finish up all 3 books
• Svedmark. 2016. Becoming Together and Apart. Linköping.
• Chen. 2012. Animacies. Duke.
• Marcus. 2015. Self Care for Activists. Mocana. 

Thursday 20 April: apartSvedmark
Thursday 27 April: spillChen
Thursday 4 May: activisms: Marcus
Thursday 11 May: <LAST DAY!> DUE LA & PROGRESS REVIEW

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Thursday, February 16, 2017

Parables: breathing and experiencing and tagging and prototyping

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Thursday 16 February, Parables: 
• CHOOSE & READ: choose stories in about half of Octavia's Brood. Be able to say how you chose the ones you did: have a rationale and practice to share.
• EXPLORE WEBSITE: #Letusbreathe Collective site
• BRING IN PROJECT PLANNING SHEET.  
• CONSIDER everything under the assignments TAB carefully
• KIT ITERATION: bring your kit to use for thinking about PROTOTYPES!
• MAKING AT BEGINNING OF CLASS: 2 min. Attendance Portraits (Barry 2014)
• MAKING IN SECOND PART OF CLASS: working on paper prototypes, cut and connect. THINK ABOUT PLATFORMS.

Why is today's class entitled Parable?
Why was the last class entitled Emergence?
What is a prototype? http://www.creativebloq.com/netmag/importance-prototyping-your-designs-81412694   
What is a logbook

>>BEFORE BREAK: 
1) Attendance Portraits: Eva will take charge of these now.
2) READ PARAGRAPH from story, p. 178: you are there. 
3) LISTEN TO R.A.I.N MEDITATION, as if the activist experience you just read about were the one you were working on for yourself.
4) next 20 mins: READ OR REREAD "Kafka's Last Laugh" by Vagabond in Octavia's Brood, pp. 177-186. If finish before, review the Lothian essay.
5) IN PAIRS (with class buddy?), consider how you would make content notes, tag, or warn readers about this story. What should be noted and why? Why is this science fiction? A story? From social justice movements?
6) tactical breathing exercise, then EXPLORE #Let Us Breathe Collective website.

Breathe in for a count of 4
Hold the breath for a count of 4
Breathe out for a count of 4
Hold for a count of 4

see Górska. 2016. Breathing Matters. Linköping. 192-3.  http://www.diva-portal.org/smash/record.jsf?pid=diva2%3A930676&dswid=2811
see also: http://www.breathmastery.com/what-is-tactical-breathing/

>>AFTER BREAK: 
1) THINKING OF PLATFORMS
=FREEWRITE: on associations of term platform.
=Who is Vagabond? How is this book his platform and for what?
=What sort of platform is Octavia's Brood? How is it NOT autonomous?
=What sort of platforms do social justice movements need? Use? Find themselves on?
2) WHAT IS A PROTOTYPE? What sort of prototype will your project need?
3) working on a paper prototype. A PROTOTYPE IS DUE NEXT CLASS.

FOR NEXT CLASS:
=bring in your project prototype, your project planning sheet completed, and Logbook 1. 

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2) READ PARAGRAPH from story, p. 178: you are there. 

3) LISTEN TO R.A.I.N. MEDITATION, use as if this experience were the one you were working on. 


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Tuesday, February 7, 2017

Emergence: be able to report on all our materials & begin projects

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Have you read everything under the assignments TAB carefully? Please do so for class! We will be brainstorming projects! Please bring your kit to use for thinking about projects! Please read everything with an eye to projects! 

PROJECTS PROJECTS PROJECTS! Our mantram for now! 



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NOTE THAT on website the AT A GLANCE PIC (scroll down) you can see now that it says "all materials, structure class, thoughts on projects" >>>

This means that you should try to find out as much as possible about all our books, transmedia, and materials as you can for the next class. Read intros and conclusions and first and last sentences of chapters, be able to explain to others in the class what each item is about. LOOK THINGS UP ON THE WEB! be a detective about these items! Show off your discovery skills! 

And of course, read the stuff everyone was supposed to have read for last week: Lothian for example. (see below for what else you should have explored too.) 

It's a lot to read and think about and be able to tell others about for sure! Do as much as you can! kk

We will talk more about how the class will be structured and ALSO COME IN WITH IDEAS ABOUT PROJECTS! And the second version of your KIT if you have decided it could be even more useful for making projects and posters for workshops. 

And enjoy! Katie

PS. This might help too! How to Read a Book in Two Hours or Less from Inside Higher Ed's GradHacker. https://www.insidehighered.com//blogs/gradhacker/how-read-book-two-hours-or-less  

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From the assignments TAB, think carefully about this stuff: read and re-read! 

First of all, FUN MATTERS! Let’s work together to make sure that happens, no matter what!

All during the semester you will be working on a senior project. At four points in the semester you will be either
• prototyping what is coming,
• sharing your process,
• showing off what you've done, or
• reflecting on what happened.

Each part will be 1/4th of your grade, so just doing the project will not get you a full grade, and sharing your process carefully will.

Two times during the semester we will be creating class workshops together. 



[graphic from this website: 
http://www.wordsinspace.net/urban-media-archaeology/2013-fall/?p=483 ]

=For the first workshop you will do a paper that details your project justifications and current status, accompanied by a handout, all to flesh out the prototype you will already have begun.

=For the second workshop you will do a poster that accompanies your project itself. The poster will visually detail your research questions, methods, outcome, and conclusions. It will explain the project you are sharing at that time too.

You cannot get full credit for any assignment until after you also present in the workshop sessions, and participate in follow-ups.

In other words, just the written paper or the poster or the project does not in itself complete the assignment. If an emergency or illness kept you from participation in the workshop that week, to get full credit you will have to 1) meet in a mini-workshop with two other students from our class that you make happen, contacting and preparing for, to share your work and their work outside class together, and 2) write up the experience and what you learned from it to complete the participation portion of that grade.

DO NOT MAKE OTHER PLANS FOR DUE DATES: BUILD THEM CAREFULLY INTO YOUR SCHEDULE FROM THE BEGINNING OF THE TERM! Put them into your logbook from the beginning so that attending them will always be at the forefront of your term plans. This is especially true of the final day of class, when you discuss your learning analysis with everyone else. Full credit FOR THE COURSE requires attendance and participation on that last day.

Summary of assignments:
• Project Prototype & LB1: 1/4 grade >> 22 February 
• Event 1: Status paper & handout & workshop attendance & LB2: 1/4 grade >> 9 March 
• Event 2: Project & poster & pics & workshop attendance & LB3: 1/4 grade >> 13 April 
• Final Learning Analysis & Process Review & attendance last day & FINAL LB4: 1/4 grade
>> LAST DAY OF CLASS: 11 May 

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All assignments are intended to give you familiarity with some important, sometimes professional, styles of creating and sharing activist-scholarly research. Please notice how much of our work together will be collective. This means that your individual ability to meet deadlines will collectively affect everyone in the class. So make attention to this a top priority, and if you find yourself needing help organizing yourself and planning for these kinds of things, please come to Katie asap to discuss and get help. If for any reason you find yourself falling behind (any reason, good or bad!) please try to be mindful as this begins to happen and come to Katie immediately. Working collectively is complex, but it can be supportive, and FUN too!

To create our own community of thinkers, makers, doers, of scholars and activists, we want to all get to know each other and work with each other. Ours here is an active and ambitious learning community visioning and revisioning together. I want to get to know each of you personally! I want to know how the class is working for you, what touches and excites you, how your projects are going.

Let me know in office hours or after class when you need help, or any special accommodations, the sooner the better. Folks with disabilities or who need time from class to observe religious holidays, please contact Katie ASAP to make any arrangements necessary. If you are experiencing difficulties in keeping up with the academic demands of this or any other course, you can also contact the Learning Assistance Service, 2202 Shoemaker Building, 301-314-7693. They have educational counselors who can help with time management, reading, math learning skills, note-taking and exam preparation skills. All their services are free to UMD students.

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OUTLINE FOR TODAY'S CLASS:

Thursday 9 February, Emergence:

• INVESTIGATE all materials, that is find out as much as you can about them! Be able to say how you did this, and share your process here.
• BRING IN thoughts on projects, projects! Our mantram for now!
• CONSIDER everything under the assignments TAB carefully
• KIT ITERATION: bring your kit to use for thinking about projects!
• CATCH UP ON ANYTHING YOU DID NOT DO LAST WEEK!
=WEB ASSIGNMENTS: Brené Brown podcast, TENSION video
=READ: Lothian 2016.
• MAKING IN CLASS: 2 min. Attendance Portraits (Barry. 2014. Syllabus. Drawn & Quarterly. p. 56.) https://www.drawnandquarterly.com/syllabus

BEFORE BREAK:
1) Attendance Portraits & next Kit iteration
2) DISCUSS LOTHIAN READING FROM LAST CLASS! Includes discussion of • our gut reactions, second reactions, reactivities, triggers, care-abouts using reading as jump off point. Can refer to Tension video as well.
3) Think projects: how? Think class structure: note transmedia & emergence
4) Next class: read Octavia's Brood, ½ book, rationale and practice to share

AFTER BREAK:
1) groups to give presentations on materials to entire class, point to ways to inspire projects or to model or illustrate project-work
2) Noting meditation?
3) construction paper play as prototyping

FOR NEXT CLASS:
=choose stories to be about half of the book. Be able to say how you chose the ones you did: have a rationale and practice to share.

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[Image from: feminist groups disrupting bro-tech culture:
http://dazedimg.dazedgroup.netdna-cdn.com/786/azure/dazed-prod/1160/6/1166319.jpeg  ]

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 WHERE ARE WE IN THE ORGANIZATION OF THE CLASS? 

SO WHAT IS TRANSMEDIA? what did we say, refer to, put up as a picture last class post?
>>TODAY CONSIDER EMERGENCE and how it is a property of direct action and activism

(Emergence is the title of today's class!!)
From the Wikipedia, Emergence > emergent properties and processes: [emphasis mine]
https://en.wikipedia.org/wiki/Emergence   

"An emergent behavior or emergent property can appear when a number of simple entities (agents) operate in an environment, forming more complex behaviors as a collective. ...The processes from which emergent properties result may occur in either the observed or observing system, and can commonly be identified by their patterns of accumulating change, most generally called 'growth'. Emergent behaviours can occur because of intricate causal relations across different scales and feedback, known as interconnectivity. The emergent property itself may be either very predictable or unpredictable and unprecedented, and represent a new level of the system's evolution. The complex behaviour or properties are not a property of any single such entity, nor can they easily be predicted or deduced from behaviour in the lower-level entities, and might in fact be irreducible to such behavior. The shape and behaviour of a flock of birds [3] or school of fish are good examples of emergent properties.

"One reason why emergent behaviour is hard to predict is that the number of interactions between components of a system increases exponentially with the number of components, thus potentially allowing for many new and subtle types of behaviour to emerge. Emergence is often a product of particular patterns of interaction. Negative feedback introduces constraints that serve to fix structures or behaviours. In contrast, positive feedback promotes change, allowing local variations to grow into global patterns. Another way in which interactions leads to emergent properties is dual-phase evolution. This occurs where interactions are applied intermittently, leading to two phases: one in which patterns form or grow, the other in which they are refined or removed.

"On the other hand, merely having a large number of interactions is not enough by itself to guarantee emergent behaviour; many of the interactions may be negligible or irrelevant, or may cancel each other out. In some cases, a large number of interactions can in fact work against the emergence of interesting behaviour, by creating a lot of "noise" to drown out any emerging "signal"; the emergent behaviour may need to be temporarily isolated from other interactions before it reaches enough critical mass to be self-supporting. Thus it is not just the sheer number of connections between components which encourages emergence; it is also how these connections are organised. A hierarchical organisation is one example that can generate emergent behaviour (a bureaucracy may behave in a way quite different from that of the individual humans in that bureaucracy); but perhaps more interestingly, emergent behaviour can also arise from more decentralized organisational structures, such as a marketplace. [or social protest] In some cases, the system has to reach a combined threshold of diversity, organisation, and connectivity before emergent behaviour appears.


"Unintended consequences and side effects are closely related to emergent properties. ...In other words, the global or macroscopic functionality of a system with "emergent functionality" is the sum of all "side effects", of all emergent properties and functionalities.

"Systems with emergent properties or emergent structures may appear to defy entropic principles and the second law of thermodynamics, because they form and increase order despite the lack of command and central control. This is possible because open systems can extract information and order out of the environment."

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Among the feminist reasons we all need to grow boundary objects and to learn the languages and knowledges of complex systems and the properties of emergence today, take a moment to consider Naomi Klein’s article in New Statesman, 29 Oct 2013: http://www.newstatesman.com/2013/10/science-says-revolt  

Klein describes: “Brad Werner…the geophysicist from the University of California, San Diego walked the crowd through the advanced computer model he was using to answer that question. He talked about system boundaries, perturbations, dissipation, attractors, bifurcations and a whole bunch of other stuff largely incomprehensible to those of us uninitiated in complex systems theory. But the bottom line was clear enough: global capitalism has made the depletion of resources so rapid, convenient and barrier-free that “earth-human systems” are becoming dangerously unstable in response…. Serious scientific gatherings don’t usually feature calls for mass political resistance, much less direct action and sabotage. But then again, Werner wasn’t exactly calling for those things. He was merely observing that mass uprisings of people – along the lines of the abolition movement, the civil rights movement or Occupy Wall Street – represent the likeliest source of “friction” to slow down an economic machine that is careening out of control. We know that past social movements have “had tremendous influence on . . . how the dominant culture evolved”, he pointed out. So it stands to reason that, “if we’re thinking about the future of the earth, and the future of our coupling to the environment, we have to include resistance as part of that dynamics”. And that, Werner argued, is not a matter of opinion, but “really a geophysics problem." 


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